El siguiente artículo propone una lectura de las crónicas de Gabriel García Márquez del volumen De viaje por Europa del Este. Mediante la implementación de una perspectiva metodológica de un "ensamblaje narrativo afectivo" (Breger), se argumenta que la experiencia cognitiva del narrador y la conciencia del proceso histórico construido a través del discurso literario son fomentadas y reguladas por la emergencia de inversiones afectivas en el encuentro con el espacio del Otro. La cartografía de esas inversiones refuerza la idea de la doble relación entre lo representado y el mundo exterior: por un lado, en una constitución coreográfica de los espacios en el texto y, por otro, en el contexto del papel de la literatura en la producción del espacio.
The following article proposes a reading of Gabriel García Márquez crónicas from the volume De viaje por Europa del Este. By implementing a methodological perspective of an “affective narrative assemblage” (Breger), it is argumented that the narrator’s cognitive experience and consciousness of the historical process constructed through literary discourse are fostered and regulated by the emergence of affective investments in the encounter with the space of the Other. Mapping those investments reinforces the idea of the twofold relation between the represented and the exterior world: on the one hand, in a choreographic constitution of spaces in the text and, on the other, in the context of the role of literature in the production of space.
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